My creation process consists of superimposing different images using algorithms close to the AI that create a recomposition strategy as human memory could do. Human memory does not operate like a camera, it distorts, confuses, agglomerates, mixes and deforms. It is for me to go beyond the automations of the AI to find a new vision through a process of emergence. This consists in observing how photographic shooting, image fusion algorithms bring back to art.
dimanche 16 août 2009
Philibert Charrin art collage
PHILIBERT-CHARRIN (1920 - 2007) Figure uncontested of the art of joining during 50 years, it carries out “painting-joinings” starting from materials, pieces of paper, most various of fabric or partitions, old subway tickets etc… Pierre Brisset in the revie the Eye in December 1985 wrote: ”… Regarded since too a long time as minor art, and even a diversion for (poor) surrealist delayed which is satisfied to replace the head of the Mona Lisa by that of a rhinoceros or to finish in tail of the Venus body of the titien, joining finds with Charrin its true identity. Philippe Charrin is not only a one creator full with imagination and sensitivity, but still a painter authenticates who, even without lesecours brush manages, as Jean-François chabrun wrote it at one time, “to translate” the values of the true painting”
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