My creation process consists of superimposing different images using algorithms close to the AI that create a recomposition strategy as human memory could do. Human memory does not operate like a camera, it distorts, confuses, agglomerates, mixes and deforms. It is for me to go beyond the automations of the AI to find a new vision through a process of emergence. This consists in observing how photographic shooting, image fusion algorithms bring back to art.
samedi 14 octobre 2006
Exhibition Palacios
Create transparencies by François Mocaër
This is the first time that our drafting meets an artist who uses the photograph not as object of representation but like an instrument allowing him to explore the different transparencies and handling creative The questioning here on the geometry, calculation and the transparency invite us to deep interrogations on what is reality.
The artist wrote itself on his step: “My tables are déconstructions of photography. It is not a question of adapting to the effects of paintings and of arranging them.
The representations on which I work cease being images which they were with the folding screen while using by using chemical and numerical processes” These processes precisely cause an effect of jamming and interbreeding which authorize to some extent the spectator to look at work as if it saw it in the mirror of his imaginary. It is important to include/understand what one wanted to express of large artists like Cézanne for example which, first represented forms structured by the light. It invented a technique which started a new perception. The chemical processes precisely allow this constant invention of the artistic approach which, in what relates to me, enables me to go beyond appearances.
It invented a technique which started a new perception. The chemical processes precisely allow this constant invention of the artistic approach which, in what relates to me, enables me to go beyond appearances.
Jean-Marie Palacios is an autodidact of the art which distant as well from the dogmas from figurative as of the abstraction, invites us to an essential question: Can one hope by handling the images to better include/understand than we think? C is the reason for which, it will be enthralling to return to you to this exposure which proves to us well that art remains an interior adventure.
François Mocaër
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