Artpjm NFT: John Heartfield

dimanche 18 octobre 2009

John Heartfield

First painter he is best known for his collages violently denouncing Nazism. His work is published in newspapers communists. Friends of George Grosz he was admitted to the Dada movement in 1918.

The photomontage and photograms are inseparable from the new way to see who emerges in 1920 in Germany with John Heartfield is one of the actors. The New Vision opposes upstream and downstream two photographic art movements: Pictorialism and the new objectivity. The pictorialist photography dominated the soumettrant pictorial model. The photomontage used as a means of resistance are also a reaction to the painting which he denounces Raoul Hausmann and Hannah Höch increasing abstraction, conceptual vacuum, the break with reality. It also contributes in a breakthrough in making visible the social and political situations outrageous by photography.

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NFT and ART introduction

The principle of digital tokens is relatively recent, the idea of distinguishing fungible and non fungible property is not. We handle non-fungible goods that cannot be replaced on a daily basis. It’s about recording what makes them unique. A non fungible token (NFT) is a secure unique digital identifier stored on a public Block Chain. Such a token is not interchangeable with another and it cannot be divided. Digital artists have followed this trend by playing with technology. The spectator visitor got involved in this technology and this speculation by assigning a value to these digital objects. Setting in motion a speculation related to cryto currency.

Digital Work and NFT

My work is inspired by popular and urban culture and is based primarily on photography and a sense of composition. I find his inspiration in the diversity of images on the internet and the movement of urban life . I create transparencies, depth by overlays, and photographic prints accentuated by black with a logitiel d"AI, thus making appear optical, shadow and light games. I express a dynamic and colorful universe. By combining digital images as he wanders, I reveal stories, his stories. He reworks each piece of image, each drawing on the reality of the street, each advertising, the composers to give them a relief and a visually coherent dynamic. I hope that these digital tables and NFT speak to everyone and offer a chaotic vision in which the order is made according to our memory. We find images, colors, words, familiar memories transfigured by creation.