The sample musical collage

The sampling: It makes it possible to strongly colour the music and to affirm the sound. It is a sound collage.

The sampling is one of the outstanding elements of the music of end of XXème century. It makes it possible to strongly colour your music and to affirm your sound.

It is a sound COLLAGE. The system of Sample: The base of the system is platinizes it which is judicious to only play of the discs. Platinums form part D a unit which is used by the operator. This N is not only one mediation it is an instrument, a musical equipment production to which one limps at analogical rhythm numerical is added, the sampler and finally computer. Together of the technical device becomes an instrument. Ditget must exploit virtualities of them. It plays of platinums by exploiting virtualities which reveal disfonctionnement like the acid sound. To draw from the new sounds from limps at rhythm is as important as platinums. It is the diversion of a technological medium which produces new sounds. The operator it is that which passes the discs. With the origin it is a selector of disc for the radio or limps of night. The recordings on disc are the raw material. The operator plays and rejoue his collection of discs. He works starting from a filed memory or music of his own collection. He makes music with music. He passes from the discs starting from his musical memory v éritable exercise of déconstruction and virtuosity which is not art to make turn the tables but art to play of platinums. The operators between them compete of virtuosity and musical taste. He does not mix only music but speeches, radio transmissions, films, video games. The gesture of virtuoso also intervenes by the scratch, squealing of diamond on the disc when it manually is stopped the music. As Godard I make cinema with images and sound not with reality.
The electronic music art would be it an art of the quotation a méta music, a music on the music. What really occurs and mixing the sound atmospheres and colours in a musical nuancier. This N is not an art of the quotation which would work on the music. As joining in visual art the mixing and remix are not quotations of other works but the creation of a new plastic.
The remix can be compared with a use of the means as the scraping of posters of Villeglé or friction of max Ernst. Sample does not work on original works but on becoming to it matter of musical works. The musical remix are often indistinguishable compared to the originals to obtain a pure new musical surface from it. C is more one work of sculpture that of quotation.
The first interpretation metaphysical of the work of Didget and often made by the musicians them even by saying that the music is done thus all alone. the machine do nothing but capture and insert in a universal sound flow a rumour of street, music mirror of the process of nature already in work in the environment. Didget is as a producer who redistributes the musical signs. The one second interpretation would be a new production of analogy reports/ratios of the signs starting from new technical epic.