Artpjm NFT: Villegle Jacques

lundi 19 octobre 2009

Villegle Jacques

Jacques Mahé de La Villeglé, says Jacques Villeglé, was born to Quimper in 1926. Member(limb) of the Movement of the New Realists, he(it) presents a step(initiative) of "collector" of torn up posters and theorist of the appropriation. Jacques Villeglé studies the paint(painting) and the drawing to the art college of Rennes where he gets acquainted of Raymond Hains ( 1945 ), to whom will bind(connect) him(it) a definitive complicity.

He works a while at an architect, where he(it) gets acquainted with the questions of town planning and public space, before studying the architecture to the art college of Nantes (in January, 1947 - in December, 1949). From 1947, he begins to harvest to Saint-Malo the fragments of the Atlantic Wall and the twisted chains, at which he considers as sculptures.

From December, 1949, he limits his(its) appropriatif behavior to the only torn up posters. For him, the real artist is " lacérateur unknown person ", the collection which can be made by whoever: he so announces the moment of the disappearance of the face(figure) of the artist, giving up the place(square) to the "collector" or the collector.

Everybody knows the posters of advertising(publicity) juxtaposed in thick and half torn up coats(layers). By presenting them, the décollagiste Jacques villeglé shows the destruction of the communication by the media of mass. The exthétique presentation(display) of the waste of a modern metropolis becomes a symbolic revolt against the increasing marketing of the townscape.

His conception of the art, the most radical of the lacérateurs of posters. He fights vehemently the concept of the original and the artistic writing. Himself(itself) declare on this matter " I distance from the action(share) to paint and to stick. Is not the not premeditation an inexhaustible source(spring) of art, and even a ripe(mature) art for the museum ? I consider as positive what leaves behind him any passer-by who tore up a poster without the slightest artistic intention " Villeglé as artist is only proceeding then to the selection and protect the poster torn up by the destruction.

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NFT and ART introduction

The principle of digital tokens is relatively recent, the idea of distinguishing fungible and non fungible property is not. We handle non-fungible goods that cannot be replaced on a daily basis. It’s about recording what makes them unique. A non fungible token (NFT) is a secure unique digital identifier stored on a public Block Chain. Such a token is not interchangeable with another and it cannot be divided. Digital artists have followed this trend by playing with technology. The spectator visitor got involved in this technology and this speculation by assigning a value to these digital objects. Setting in motion a speculation related to cryto currency.

Digital Work and NFT

My work is inspired by popular and urban culture and is based primarily on photography and a sense of composition. I find his inspiration in the diversity of images on the internet and the movement of urban life . I create transparencies, depth by overlays, and photographic prints accentuated by black with a logitiel d"AI, thus making appear optical, shadow and light games. I express a dynamic and colorful universe. By combining digital images as he wanders, I reveal stories, his stories. He reworks each piece of image, each drawing on the reality of the street, each advertising, the composers to give them a relief and a visually coherent dynamic. I hope that these digital tables and NFT speak to everyone and offer a chaotic vision in which the order is made according to our memory. We find images, colors, words, familiar memories transfigured by creation.