My creation process consists of superimposing different images using algorithms close to the AI that create a recomposition strategy as human memory could do. Human memory does not operate like a camera, it distorts, confuses, agglomerates, mixes and deforms. It is for me to go beyond the automations of the AI to find a new vision through a process of emergence. This consists in observing how photographic shooting, image fusion algorithms bring back to art.
mercredi 25 janvier 2023
Twitter portraits - Not yet translated into NFT
Twitters portraits are paintings in A3 format. They are made from photographs processed with a transfer product and digital work. In this series of portraits of Twitter users I address myself directly to an audience by showing the result of a work on the network that incorporates at the time of its realization its own communication. The Twitters portraits are part of a design that allowed me to make paintings on other subjects previously. This particular approach adapted to NFT questions the idea of projecting an image from one plane to another and its transposition according to different representative modes on different media. The extreme presence of the surface gives a derealizing effect with its confrontation with support.
By putting on the same plane in a painting, language and image I apply in the field of art a method proven in the field of media and advertising.
The twitters portraits are a serial work of which each painting is an occurrence strongly linked to the others by an identity of forms. I adopt the logic of the network which is an infinite digital production, a combination of diverse and often repetitive images and texts. Like photography that was widely used as a material by artists of the 20th century I use the information flows of networks that (hypertext, video photography) remain a field to exploit so that they become art object.
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