Digital monitoring

Digital that expresses digital surveillance through NFT Le numérique qui exprime la surveillance numérique à travers le NFT

Before The depressive

My creative process is to overlay different images using algorithms that create a recomposition strategy like human memory could.

H-HACK de XCOPY à la Galerie NFT Factory

Participation au H-HACK de XCOPY à la Galerie NFT Factory de Paris du 15 au 26 Février 2023 XCopy, artiste incomparable sur la scène internationale du crypto-art, est célèbre pour ses .gif sombres et glitch, mais sa véritable identité demeure inconnue. XCopy a choisi de diffuser et commercialiser ses œuvres sous la licence “CC0”, en adéquation avec les principes fondamentaux du mouvement “Creative Common Licence”, qui permet à toutes et tous l’utilisation totalement libre des œuvres sous cette licence.

AT Artificial tools 2023 ou AO Outillage Artificiel

NFT on Opensea

Paris 2023 2034

Garantie sans AI

Web3 first series

These images are in no way prompts manufactured by artificial intelligence. Entry into the Web3 of Artpjm with this first series of acopalyptic figures as there are many here. It’s not part of a video game or anything. It just emerged from digital.

NFT Digital Pears - See and Buy on Opensea

My creative process is to overlay different images using algorithms that create a recomposition strategy like human memory could. According to the developments of the physical sciences matter, space, time does not exist as our senses perceive it. Human vision does not operate like a camera, it distorts, confuses, OPENSEA

NFT Tour Eiffel

Tour Eiffel coordonnées GPS Eiffel Tower coordinates GPS Cordonnes encrypted on a virtual map of Paris Blue crossing of the Seine that passes in front of the Tower. Photographic reality of the Circulation automobile and the Tower on a virtual background. There is an emergence of light side effect that comes from image fusion, binary computational fusion

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Twitter Portraits Assembly, Media Network

Twitters portraits are work mixedmedia in the size format A3. They are realized from photos treated with a product of transfer .In this series of users' portraits of the network Twitter I address directly to a public by showing the result of a work on the network which incorporates at the same time of its realization its own communication. Twitters portraits join a conception which allowed me to realize pictures on the other subjects. (See artistic Approach) This approach questions the idea of projection of an image of a plan in the other one and its transposition according to various representative modes about various supports. The extreme presence of the surface confers an effect with its confrontation with support.

By putting on the same plan in a picture, the language and an image I apply in the field of the art a well-tried method in the media and advertising domain.

Twitters portraits are a serial work every picture of which is a case strongly connected to the others by an identity of forms. I adopt the logic of the network which is an infinite digital production, a combination of images and diverse and often repetitive texts. As the photography which was widely used as material by the artists in the 20th century. I use the flows of information of the networks which (hypertext, video photography) remain a field to be exploited so that they become work of art.

See the pictures on flickr

Twitter portraits - Not yet translated into NFT

Twitters portraits are paintings in A3 format. They are made from photographs processed with a transfer product and digital work. In this series of portraits of Twitter users I address myself directly to an audience by showing the result of a work on the network that incorporates at the time of its realization its own communication. The Twitters portraits are part of a design that allowed me to make paintings on other subjects previously. This particular approach adapted to NFT questions the idea of projecting an image from one plane to another and its transposition according to different representative modes on different media. The extreme presence of the surface gives a derealizing effect with its confrontation with support. By putting on the same plane in a painting, language and image I apply in the field of art a method proven in the field of media and advertising. The twitters portraits are a serial work of which each painting is an occurrence strongly linked to the others by an identity of forms. I adopt the logic of the network which is an infinite digital production, a combination of diverse and often repetitive images and texts. Like photography that was widely used as a material by artists of the 20th century I use the information flows of networks that (hypertext, video photography) remain a field to exploit so that they become art object.

MADEIN COMPANY

Galerie Nathalie Obadia is delighted to present the first exhibition in France by MadeIn Company, a “contemporary art company” founded in 2009 by the artist Xu Zhen, aged 35, a rising star in Chinese contemporary art, who comes from Shanghai.

The iconoclastic creation of a renowned artist who, in the age of the artist as star, has decided to forgo his personal identity, MadeIn is a unique entity on the contemporary scene, a kind of “unidentified artistic object” that challenges the sacrosanct notion of the author with intelligence and ironic humour. MadeIn Company is a genuine business which employs a score of men and women to ‘”research infinite cultural possibilities,” as its founding charter states. Moving been straight reality and parody, this application of the corporate model to art-making has resulted in the creation of a think tank capable of coming up with powerful and surprising artworks in a wide variety of media (paintings, sculptures, installations), which are always seen from a curatorial viewpoint.



For its first exhibition at Galerie Nathalie Obadia, MadeIn Company has thus put together an authentic conceptual programm announced by its manifesto-like title, Sleeping Life Away, which alerts visitors to the danger of collective anaesthesia in the age of mass consumption and the reign of communications (image over substance) in politics.

Six alluring and colorful large-format collages offer an alternative vision of human history. The combination of Chinese and western imagery gleaned from the Internet – traditional Chinese prints, French 19th-century caricatures, medieval images, exotic bestiaries – mediated through a patchwork of sensuous materials (fabric, feathers, sequins, beads, etc.) brings to mind the folkloric dimension of big traditional tapestries while distancing the epic yet ridiculous narratives of the dominant ideology.

In this same spirit of demystifying imperial, military and colonial propaganda, three series of imposing sculptures are installed in the gallery. These black, bulky pieces recalling primitive totems feature soldier figures: in one, a man with peaked cap advances proudly on the back of a lion, epitomizing the ambiguity of power which, while claiming to protect, becomes tyrannical. This ambiguity is heightened by the contrast between the grandiose dimensions of these icons, some of them over three meters high, and the insubstantial nature of the foam from which they are made – as insubstantial as these empty and deceptive mass representations.



MadeIn Company has exhibited in numerous international institutions, notably the Ullens Center for Contemporary Art in Beijing, Kunsthalle Bern, the Ikon Gallery in Birmingham, the S.M.A.K in Ghent, and the Minsheng Art Museum, Shanghai. MadeIn Company featured in the 8th Shanghai Biennale in 2008 and at the Busan Biennale (South Korea) in 2010.

With Sleeping Life Away, Xu Zhen is leading his “Company” (almost in the theatrical sense of the word) towards a productive act of emulation, prompting viewers to emerge from their existential torpor and question their assumptions about the world and its hallowed representations.

Rauzier Jean François Hyperphoto Gallery Bailly Paris

French artist, been born in 1952.

Fascinated since the childhood by the photography, Jean-François Rauzier integrates the National Louis Lumière school in 1976. For 30 years, he investigates various fields of the plastic arts: paint, sculpture, asphalt … Enriched by the grammar of the advertising photography which he(it) exercises, precursor of the digital assembly, he(it) invents the concept 'Hyperphoto' which is going to allow him(her) to succeed in its approach(initiative). Prize-winner of the prices Screenings of Berlin in 2006, Arcimboldo for the digital creation in 2008, APPPF in 2009, he exposes all over the world: New York, London, Los Angeles, Paris or Seoul …

Seen Hyperphoto

Fillot Emmanuel Gallery Mordoch in Paris

Collage Assembly

His works are collages, wooden assemblies, found on seaside, stones chosen, shells, glass fix a moment. he set is a meeting with a place, a geography which connects macrocosm and microcosm.

In galerie ArtPjm