My creation process consists of superimposing different images using algorithms close to the AI that create a recomposition strategy as human memory could do. Human memory does not operate like a camera, it distorts, confuses, agglomerates, mixes and deforms. It is for me to go beyond the automations of the AI to find a new vision through a process of emergence. This consists in observing how photographic shooting, image fusion algorithms bring back to art.
lundi 27 octobre 2008
Palate of Tokyo Paris 2008
The photomontage and collage in this exhibition.
White chart was given to L international artist Ugo Rondinone for this exposure to the Palate of Tokyo of September 27, 2007 to January 3, 2008. The title of this presentation The Third Mind seems to have taken as a starting point a quotation of Napoleon Hill “Two spirits cannot meet, without generating, so a third force, invisible and intangible, which could resemble a third spirit. ”
This approach of the exposure will surely interest of the amateurs of joinings by the fitting general of the exposure which is with the statement of certain commentators of art a joining and by also by its contents which make it possible to see important artists which practises the photomontage, assembly, joining.
Lee Bontecou born in Providence the USA in 1931 uses traditional material it makes compositions a priori geometrical abstract
Joe Brainard in its first collage it evokes work To marble George and Andy Warhol then it S directs towards a lyricism baroque and a poetry kitsch and popular imagination notices the split of New York during these exposures. It subscribes its work of artist in 1994.
Sarah Lucas born in 1962 presents a whole of photographs which paper the walls of a part in which is installed finds a car destroyed not its care. She represents the sordid one and the fact various.
Of very beautiful joining on aluminium of Cady Morland of serigraphies and joinings in harmony with the leather masks of Nancy Grossman and of the elements of. Ronald Bladen,
In general the comments and critical of this exposure wonders about the influences, of its inclinations and its obsessions of originator of the exposure which according to them is built like an ambulation in a brain in perpetual activity and plunges to the source of the references and of discovered of the artist.
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Palais de Tokyo, 13 avenue du Président Wilson, 75016 Paris
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