My creation process consists of superimposing different images using algorithms close to the AI that create a recomposition strategy as human memory could do. Human memory does not operate like a camera, it distorts, confuses, agglomerates, mixes and deforms. It is for me to go beyond the automations of the AI to find a new vision through a process of emergence. This consists in observing how photographic shooting, image fusion algorithms bring back to art.
samedi 25 octobre 2008
Symposium Art assembly part 3
Back on the art of assembling 3rd party Saturday, March 29, 2008
Gilbert Lascault Emeritus Professor of Philosophy of Art University of Paris I
Forging link tinkering.
Gilbert Lascault publishes books aesthetics (The monster in Western Art, 1973; Figurées, disfigured / Small vocabulary of femininity represented, 1977; Writings on the visible timid, 1979; Faire and undo, 1985, etc.). monographs (Malaval, Ernst Bacon, Boltanski, Boteero, Grau-Garriga, Louis Pons, etc.). books of fiction (Little tetralogy of fallacious, Gens regular Sore-les-Sept-Gardens, Hell buffoons, and so on. .). In particular he published comments fictional in collaboration with artists.
As part of the symposium on the assembly he talked about the work of Christian Jaccard. The work of the latter located in the concerns similar to those of the support surface which he has not done. Nevertheless, exhibitions devoted to Supports / Surfaces sometimes associated Christian Jaccard. Starting from 1971, Christian Jaccard uses "tools" string, twine, knots. These tools replace the brush to produce traces on the canvas.
Heana Parvu, teacher assistant histroire of Art University of Geneva.
Construction and assembly: the sculpture in question.
She questions the concept of assembly by presenting works that are not. Unlike assemblages surreal juxtapositions that are one can imagine assemblies which have no juxtaposition. The objects interact with other objects. For example, an object that is placed relief by the artist Rosco on the facade of the Museum of Modern Art who maintain a relationship with his environment.
Carole Boulbès, professor of history and theory of art
Up and disassemble, Wim Delvoye and art cathedrals.
Wim Delvoye making all kinds of reflections by the juxtaposition of the universe and counter-employment It is part of a generation of artists that have marked Flemish contemporary art tattooing Known for his pigs and his firm Cloaca. His work on the art cathedrals is also one of its provocations. On windows, which usually spiritual scenes he introduced such provocations in sexual characteristics. The stained glass windows are assemblies that have multiple images simultaneously. He opposes the pure and impure. It is in line with the philosophy of George Battle between spirituality and materialism low.
Sylvie Coëllier Professseure plastic art and science of art, University of Provence "assembly" at samplage "creolization in the visual works by Bruno Peinado and sculpture recently.
She questions the work of Bruno Peinado which has been engaged in an extensive recycling company signs from our contemporary world by questioning our relationship with them. In this logic of the fragment, the artist discusses these images in restoring their complexity. The installation is an incentive for decryption and study the relationships between objects.
Miguel Egana artist, a professor of fine arts, University of Picardie Jules verne Assemblagisme, modernism, stucturalisme, postmodernism.
It queries thought assemblagiste Thought assemblagiste and syntax combinatorial born in the early century by adding elements in the table object outside the world of art (Picasso). This adventure continues with the Dadaists. The influence structuralism thought of this assemblage art. Indeed, the term "structure" is, since their appearance, the subject of multiple interpretations and uses very diverse. The structuralism as presented Lévis-Strass influence the thinking of assemblage art.
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